Tall circular woven bamboo yumi arrow case. The bamboo has a sooted chestnut patina. It is held together with a long silk tassel and attached to the circular fitted cover. The yumi is stenciled with the family crest of Chiba. Included are 4 arrows. Mounted for a custom fabricated Bronze museum stand.

Meiji Period (1868-1912)

Dimensions: 3.5" x 37" L (40" H on stand)

The menpo features the gentle countenance of a deep vermillion red lacquer. It is composed of three parts; The removable nose armor with white horse hair mustache and its Nara style gilt teeth and open mouth, the cheeks and lower jaw with strap holder posts and its central vent hole for perspiration to escape out. The ears are pierced with both plum blossom design, and finally the four attached yodare with pale ocher silk. The reverse backing is lacquered in black and red. The menpo is... Click for details

Hard to find Japanese red lacquer Chochin Kabuto. This example of munition has the ability to fold for compact storage. The front 2 prongs are made for the meadate ornament. The underside of the shikoro (neck guard) in black lacquer, and the lames plates are secured with blue silk cords. Mounted on custom steel stand.

Red lacquer menpo may be purchased separately. (#1371484)

Edo Period 19th Century

Dimensions: 13" x 12.5" x 10.5" H (18" H on stand)

Tall, rectangular arrow case completely covered with mother of pearl (Raden) inlay. The apex lid has the gilt "Mitsudome" symbol commonly associated with Hachiman, the Shinto god of war. The case is in good form with a beaded edge for a secure fitting. It is kept together by silk cord by means of tying the knot. Mounted on steel stand.

Late Edo Period (1603-1868)

Dimensions: 5.5" x 4" x 27" H (41" H w/ stand)

Unusual circular russet iron jingasa, with 16 triangular riveted plates. The iron is flattened to a thin gauge for lightweight comfort. It sports a finial top and a hand mount ring to a silk cord decoration.
The samurai class in feudal Japan, as well as their retainers and footsoldiers (ashigaru), used several types of jingasa made from iron, copper, wood, paper, bamboo, or leather.Kasa shares its etymology with the Japanese word for "umbrella" (which is also pronounced "kasa", but... Click for details

Japanese russet lacquered leather zunari jingasa with riveted plating. Finely disguised as metal which is completely constructed of lightweight materials strengthened by lacquer. The interior helmet is lacquered in red. The front features a large gilt mon of the Ashikaga crest. The finial form takes shape of a chrysanthemum flower. Mounted on custom display stand.

19th Century Edo Period (1603-1868)

Dimensions: 13: x 12" x 6" H

Antique Japanese 2-section isho tansu (clothing chest of drawers) made of Kiri (paulownia) wood, natural front drawers and red lacquer top and sides. The lockplates of every drawer are shaped as large open fans, and the corner hardware of each drawer are fan-shaped as well. The other hardware implements are decorative with pierced motifs.

Meiji Period (1868-1912)

Dimensions: 33.5" L x 16.75" D x 40" H

Antique Japanese Takeda Ningyo doll depicting a samurai warrior wielding a staff. The samurai wears hand-embroidered garb, his helmet rested against his shoulder, the meadate in the form of a dragon's head. The realistic eyes and facial features are all hand-painted, portraying menacing determination. The doll stands on a wooden base with inlay.

Edo period 19th century

Dimensions: 11" x 6: x 16" H (doll) 12" x 8" x 19" H (with base)

Antique Japanese Buddhist abbot's oxbow arm folding chair. Made of red and gilt lacquer hardwood, with seat made of leather. The backrest has gilt lacquered panels with geometric motif carvings and pierced lingzhi carving, the reverse of the backrest marked with a triple mokko-mon (family crest). The edges of the chair are decorated in metal plating incised with motifs of chrysanthemums.

Edo Age 19th century Dimensions: 32" L x 20" D x 37" H

Japanese print of a woman holding a calligraphy paint brush, by Shiko Munakata (1903-1975). A zen Buddhist, he worked in oil painting, then woodblock printing, calligraphy and ceramics. He is sometimes called the Japanese Picasso because of his prolific multi media creative work. He was part of the sasuka-hanga movement and the mingei, folk art, movement. He is from the northern region of Aomori and incorporated many of those local themes into his art. The text on the back of the image suggests... Click for details