Early 18th C Edo period Japanese byobu painted screen of scholars in retreat. It is composed of 2 panels. The screen has a predominate gold leaf ground on gofun paper. Paint composition is a mineral rimpa paint. The subject matter is a belief of mythology made real. Shu-ton (a scholar's attendant) found a longevity turtle that is believed to be 1000 years old. This turtle is also known to be a messenger to the gods. The expression on the master's face reflects wonderment. He is able to find an... Click for details

Japanese 17th century Momoyama Period six panel Byobu painted screen of the Tale of Genji. This remarkable screen is in great form painted with rimpa polychrome mineral paint on gold gilt gofun paper. The composition is complex and it allows the viewers to have a bird's eye view of the scene and events amidst swirling clouds. The exaggerated foliage and scale of the courtly figures are dynamically composed with tranquility and balance.

The Tale of Genji is a masterpiece of Japanese... Click for details

A mid-century 18th C Japanese Tosa school six panel byobu painted screen. Rimpa paint of gofun paper with gold leafed clouds dividing each of the scenes. The screen begins by exposing us to the art of seduction by listening to poetry. The proper approach to a desired lady was through poems written on scented paper of the finest quality by an elegantly dressed go-between of appropriate social ranking. Gifts are exchanged & elegant conversation is followed with the female dressed within layers of... Click for details

A medium sized Japanese Oribe dish with a rich, brilliant green glaze and plum blossom brush painting. The crackle in the glaze adds to the design and the edging is painted. The bottom is unglazed and has 4 indented strips. Invented in Japan in 1605, Oribe ware introduced vivid pattern and color to a ceramics tradition that had previously favored somber, monochrome designs.

Dimensions: 9.5" diameter

Date: circa 18th C

Chinese monochrome yellow Peking Glass brush pot. Historically, many pieces of Peking glass were made with yellow glass (dubbed "Imperial Yellow") due to the colors' strong association with the Qing Imperial clan of Aisin Gioro. The glass was commonly used in vases and brush pots where it was used to imitate the harder to work jade and other precious stones.

Dimensions: 5.75" X 3.25" diameter

Date:Republic c 1900

Japanese Nabeshima ware porcelain dish decorated with a bird on a branch looking over a pond of omodaka (water plantian). The dish stands on a high, deeply recessed foot with outer "comb" cobalt blue design around its edges.

Dimensions: 8" diameter

Date: 19th Century

A gilt bronze figure of Heruka with fierce rolling tongue expression, holding a chopper and skull cup. The deity stands in a warrior's pose with right knee up and pivoting. The flowing drapery suggests movement and dance rituals. The figure is mounted on a bronze base.

Heruka is the name of a category of wrathful deities in Vajrayana Buddhism. These enlightened beings adopt a fierce countenance to benefit sentient beings. In East Asia, they are called Wisdom Kings. Herukas... Click for details

Ko-sometsuke porcelain was produced specifically for the Japanese market during the final decades of the Ming dynasty (1368-1644). A small Japanese porcelain plate glazed with 3 images of a person on an island, a row boat and mountain.

Dimensions: diameter 6" X 1.5"

Date: 17th C

Chinese monochrome golden yellow Peking Glass brush washer with relief carvings of a repetitive petal design. The bottom is marked by a four character cartouche.

Dimensions: 5"diameter X 3"

Date: Circa early 1900's

Antique Chinese carved zitan wood table. The curving legs on which the table top stands are ornately carved with pierced details. The edges of the round table top is carved to match. All original.

Early to Mid 19th century

Dimensions: 26 1/2" high x 38 1/4" wide diameter