Japanese gold lacquer inro with five compartments, decorated in low relief landscape scene of lakeside mountains, cottages, pagodas, pine trees, and bridges in gold lacquer and accents of silver. The reverse side shows a tiny man in a boat traversing the waters. The inside compartments are covered with dense nashiji lacquer (fine gold flecks). Underneath the bottom compartment is an artist's signature with red chop. With some losses.

Inro (seal basket) are small decorative... Click for details

Antique Tibetan thangka painting of Green Tara, one of the manifestations of the bodhisattva of protection. The central figure of Green Tara is flanked by bodhisattvas while the Amitabha Buddha is seated directly above her head. Below Tara are a fierce deity with mortal attendants carrying offerings. Thangka translates to “that which can be rolled up”, as traveling monks could easily carry them from place to place to use as a teaching tool.

18th century... Click for details

Japanese boxwood ojime bead carving of a skull, finely detailed with realistic cranial fissures, missing teeth, pierced eye sockets and nasal cavity, with tiny handmade chisel marks visible under the jaw. The ojime is a cord fastening bead, used to secure an inro container to the wearer's obi or sash.

Edo period (1603-1868)

Dimensions: 1 1/2" x 1" x 1"

Japanese 2 section Mizuya (kitchen chest of drawers) made with Hinoki (cypress) wood frame and Sugi (cedar) panels, with natural hardwood burl front drawers panels. The top section is configured with two small and three very small drawers below a large interior compartment. The sliding panels are decorated with carved wood accents and copper pulls with floral medallions. The bottom section holds the largest interior compartment behind sliding panels. The sides of the chest are slatted... Click for details

Antique Japanese small kobako (incense box) with inside tray. The outside is decorated with a scene of a garden fence, chrysanthemums, hydrangeas and daisies in gold lacquer on a nashiji ground. The interior is covered in fine nashiji. The small tray stands on tiny feet and has a pavilion scene with twisted pines all in gold lacquer on a matching nashiji ground.

Meiji Period (1868-1912)

Dimensions: 4" high x 6" wide x 4" deep.

An exquisite antique Japanese large box made of keyaki (elm) wood burl and decorated with a design of a bamboo garden gate, tall grasses, chrysanthemum blossoms and the moon. Very high raised maki-e lacquer in gold and red with shell inlay. Tied with it's original tassel and with tomobako. Provenance: from a family living close to Kyoto's Imperial Palace.

Meiji Period (Mid 19th century)

Dimensions: 10 1/4" high x 10" wide x 12" deep.

Japanese 2 section Kiri (paulownia) isho tansu, or clothing chest of drawers. With hand forged iron hardware and pulls with chrysanthemum studs beneath. The top and sides of each section are branded with a medicine gourd bottle signature.

Meiji period (1868-1912)

Dimensions: 33 3/4" x 15 3/4" x 41 3/4" H

Antique Chinese unmounted scroll depicting a scene of various types of birds including crows, song birds, pheasants, quail, ducks and sand pipers. Painted in mineral colors on silk.

Ming Dynasty (14th - 16th century)

Dimensions: 60" high x 17" wide

Antique Japanese scroll painting of a hawk standing on the branch of an oak tree. The hawk is detailed with great attention to every feather. Painted in sumi ink and light colors on paper. Signed Shunkei with seal, possibly Mori Shunkei (1775-1841).

Edo Period (Late 18th - Early 19th century)

Dimensions: Total 79" high x 27 1/4" wide (29 1/4" wide including ends) Art: 51 1/2" high x 21 1/2" wide

Japanese antique scroll painting of the Lucky God, Ebisu. He sits on a rocky shoreline with his fishing pole in his right hand. Tucked under his left arm is a giant fish.
Ebisu is the Japanese god of fishermen and luck. He is one of the Seven Gods of Fortune (七福神), and the only one of the seven to originate purely from Japan without any Hindu influence.
The weak child overcame many hardships, grew legs (and, presumably, the rest of his skeletal structure) at the age... Click for details