Whimsical rendering of a high relief horse (uma) tied to a pine trunk. The horse is completely harnessed with its kura and abumi fittings. The finish is untouched showing signs of age and patina.

19th Century Edo Period (1603-1868)

Dimensions: 19 7/8" x 15 1/2" x 1 3/4"

Uji is between the two ancient capitals of Nara and Kyoto. The city sits on the Uji River, which has its source in Lake Biwa. The document box lid is decorated with the Hiramaki-e technique in gold and silver sprays of the Uji bridge and a cascade of Sakura blossoms on to a copper based nashiji ground. It’s complete with a black lacquer interior tray decorated in a minor composition of a riverside scene, with copper sprinkles throughout. The box interior is black lacquered with copper... Click for details

Chinese hardwood table made from jumu (elm) wood. The sides of the table are carved with pierced panels of dragons and clouds. The four feet are carved with spirals. Original condition.

19th Century

Dimensions: 29.75" L x 21" D x 33" H

The forked arrowhead (karimata) was named after its resemblance to the V-formation flight of wild geese. Such arrows of different sizes were highly prized on the battlefield and for hunting large game. The Japanese arrowheads, many resembling miniature spears, were made in hundreds of varied shapes of folded, tempered steel.
They were attached to the bamboo shafts by means of long, thin tangs (Nakago). The most common were narrow, roughly-filed, pointed arrowheads used to penetrate armor... Click for details

Japanese munitions strong box constructed of Hinoki wood, with hand forged iron banding and with hard mounts. Original finish and condition.

Early 19th Century (Edo Period)

16 1/8" x 6 1/2" x 5 3/4"

The three-sided style of the phurba comes from an ancient tool used to pin down sacrifices. The phurba has 3 segments to represent its power to transform negative energies. These energies are known as the "three poisons" and are attachment, ignorance, and aversion. The 3 sides of the phurba also represent the 3 spirit worlds and the phurba itself unites those worlds. The handle of the phurba represents "wisdom" while the blade represents "methods".

The phurba symbolizes stability and... Click for details

Four-armed sword wielding Virabhadra is a manifestation of Shiva. In this form, he decapitated the demigod Daksha who had insulted him, but in doing so, he interrupted the demigod's sacrifice by which all beings are created. Virabhadra later revived Daksha by replacing his head with that of a goat, thus ensuring the demigod survived and the continuance of creation. Mounted on Custom Iron Mount for presentation.

South central India
17th Century bronze w/ ritual encrustation... Click for details

A slight smile menpo in black lacquer, with angular high cheeks, making its naturalistic ears protrude outward. The L shaped strap holders are mounted on the dimples, the sleek shaped chin with turned strap post and a small hole to vent out perspiration. The interior of the mask is lacquered in red leather. The yodare is in the kiritsuke style plates of four and is laced in blue silk, calico, and pale ocher. The menpo is mounted on steel stand for display.

Docked for Exhibition... Click for details

This type of menpo would have fitted a formal and archaic style gosuku with silk lacing and large sode style of the Heian period. The menpo is lacquered in a dark brownish black with stylized wrinkles. The ears are pierced with plum blossom configuration, turned strap holders, and a vent hole. The nose plate is well rendered with horse hair mustache and hook-holes insertion. The interior of the mask is lacquered in red. The yodare is fabricated with stenciled leather and 3 plate kiritsuke laced... Click for details

The mask is of dark brownish lacquer finish and the interior is black lacquer. The high jaw has two protruding hooks for strapping the cords, and underneath the chin is a vent hole. The Saru Bo is fitted with yodare kare covered in lacquered black leather with three lames plates and blue silk lacing.
Mounted on metal display stand.

19th Century Edo Period (1603-1868)

Dimensions: 7.5" x 3.5" x 8.25" (10.75" on stand)