An exceptional and rare pair of Japanese devotional panels, each composed of split and curved bamboo, finely lacquered and painted with mineral pigments and gilt. These panels depict the Eighteen Arhats—enlightened disciples of the Buddha—each portrayed with expressive individuality, symbolic animals, and atmospheric clouds, set within a dynamic and sacred landscape. The reverse sides feature beautifully inscribed Buddhist calligraphy in gold, including a clearly legible date: Meiji 14 (1881).
In Japanese Buddhism, the Arhats—known locally as the Jūhachi Rakan—are deeply venerated as enlightened beings who have transcended the cycle of rebirth and remain in the world to safeguard the Dharma until the coming of the future Buddha, Miroku. Each Arhat is a model of spiritual attainment, often portrayed with distinct attributes reflecting their inner qualities.

Notable figures include:
Bindora (Pindola Bharadvaja) – a healer and protector, often honored for his compassion toward devotees
Ragora (Rahula) – the Buddha’s own son, representing youthful renunciation and dedication
Nagasena – a master of reason and debate, symbolizing clarity and deep insight
Ashita (Asita) – a visionary sage who foresaw the Buddha’s path
Gavampati – a humble practitioner often shown with animal companions, reflecting spiritual harmony with nature
These Arhats are rendered in fine detail, each uniquely characterized to express the diversity of their enlightenment paths. The technique of painting on split bamboo is notable for the subtle curvature it brings to the composition, adding dimension and rhythm to the arrangement. The combination of lacquer, pigment, and gilding reflects high craftsmanship typical of the late 19th century.
Likely intended for a temple or private altar, this pair of panels offers both devotional power and exceptional artistry, serving as a rare survival of Meiji-period Buddhist visual culture.

Age: Meiji period Circa 1881

Dimensions 54" long x 6" wide