An original elegant Japanese Edo-period lacquer stand, decorated with mother-of-pearl (raden) inlay and delicate gold maki-e details. The piece features a gracefully arched double-support form rising from a scalloped base, culminating in an upper tray with pierced floral patterns and scrolling borders. The surface shimmers with inlaid fragments of abalone shell, creating iridescent motifs of blossoms, geometric designs, and symbolic patterns that catch the light in tones of green, violet, and silver.

Fine hand detailing with losses due to age, inlaid fragment individually set into the black and brown lacquer layers, then polished smooth to create a continuous luminous surface. The restrained use of gilt highlights and the intricate precision of the raden work suggest production by a Kyoto or Edo lacquer workshop during the early 18th century, a period known for refinement in domestic and ceremonial furnishings.
Such lacquer stands were often used in temple or aristocratic contexts, serving as supports for writing boxes, incense burners, or other ritual objects. The combination of complex inlay, sculptural form, and preserved patina reflects both the aesthetic and spiritual sensibility of early Edo Japan.