Chinese low long table, crafted from richly grained quarter sawn huanghuali wood, a treasured hardwood celebrated for its deep reddish-brown tone, flowing grain patterns, and natural luster. This piece reflects the traditional aesthetic values of Qing-style furniture with clean lines, refined proportions, and subtle detailing.
The long rectangular surface is bordered by a raised, molded edge (pianping), supported by squared legs with integrated stretchers that provide both strength and... Click for details

Chinese display stand made of solid rosewood, showcasing the elegance of traditional joinery and the refined aesthetic of classical Chinese furniture. The stand features a square top supported by four straight legs, connected by an intricately carved openwork apron in a key-fret and ruyi motif, all assembled without the use of nails or modern hardware.
Hand crafted in solid rosewood hardwood, this piece highlights the rich reddish-brown hue and tight grain characteristic of rosewood. A... Click for details

A finely carved Chinese soapstone toggle, depicting a dynamic dragon amid swirling clouds, rendered in high relief with pierced openwork and detailed on both sides. The dragon, a timeless symbol of imperial authority, strength, and transformation, is shown with a powerful expression, flowing whiskers, and a scaled, sinuous body.
The soapstone is a warm yellow nephrite, softly polished to a smooth finish, with light translucency and natural mineral inclusions typical of 19th-century... Click for details

Chinese antique scroll painting of a mountain landscape. Two figures sit and talk near a stream and a small foot bridge. In the distance, mountains rise on either side of a waterfall. Painted in light colors on silk.
Peng Yang (1859-1939) was an artist of the late Qing Period. He specialized in painting landscapes, flowers, and figures. In the early years of Guangxu's reign, he was employed as a painter at the Imperial kiln in Jingdezhen.

Age: Late Qing Dynasty (early 20th... Click for details

A tall cylindrical porcelain umbrella stand, hand-painted in a vivid Imari-style palette of iron red, cobalt blue, and soft gilt yellow on a white ground. The design features a central panel with flowering prunus and peony branches, framed by stylized cartouches and surrounded by an allover chrysanthemum motif. The top and bottom rims are bordered with a classic cobalt blue band of lace-like floral decoration. Made in China, circa 1950, this piece reflects the mid-20th century revival of Qing... Click for details

Chinese small round porcelain brush washer signed Wang Bu (1896-1968). Glazed blue and white with scene of a kingfisher bird balanced on a long millet stem. There is an artist seal in the lower right hand side of the design and a studio mark ‘Yuan Wen Wu Guo zhi Zhai’ on the underside.

Age: Mid 20th century

Dimensions: 3 7/8" wide x 7/8" high

Chinese jadeite necklace made of 41 round beads. Beautiful natural green jadeite round beads of 1/2" diameter. Lovely bright mottled green color.

Dimensions: 27" total length

Chinese necklace made of 20 round amethyst beads. Deep purple color with areas of translucency and quartz striations.

Dimensions: 20" total length

Chinese jade necklace made of 51 round beads. Beautiful natural green jadeite round beads of 1/2" and 3/8" graduating diameter. Lovely bright mottled green color.

Dimensions: 26 1/2" total length

Chinese lapis lazuli necklace made of 44 round beads. Beautiful natural dark blue round beads of graduating diameter. The largest being 5/8" wide diameter. The smaller beads are a lovely bright blue color with traces of quartz.
Dimensions: 24″ total length