Japanese carved wood Natsume tea caddy, with high relief lacquer imagery of ripened peaches growing on a branch, and a flying hornet on the top of the lid in lacquer. The side of the box is signed with red lacquer cartouche.

Meiji period (1868-1912) c. 1900

Dimensions: 2 1/2" W x 2 3/4" H

Beautiful hand carved Japanese wood panel with stylized openwork carvings of various scrolling chrysanthemums and peonies. Each flowing one to the next layer out longitudinally on a single slab of wood. Hand chisel marks visible on the reverse of the panel. Ready to be wall mounted. Very good original condition. Natural finish consistent with age.

Early Meiji Period (1868 - 1912)

Dimensions: 39" L x 4" x 6" H

Unique Japanese Keyaki (zelkova) hardwood kanban shop sign carved to resemble a calligraphy brush, with black, beige, and red pigment lacquer, hung by an iron hook and chain, with two character shop name carved in front of the brush handle. Original finish and patina consistent with age.
Hand forged 200 year old Japanese Iron mounts included with sale.

Early Meiji period (1868-1912)

Dimensions: 36 1/2" L (46" L w/ chain) x 4" W

Stunning original 17th century Japanese Amida Buddha statue, gold gilt over wood with inlaid crystal on his third eye and his crown chakra. He stands on an open lotus pedestal atop a circular step base, his hands performing the virtaka mudras. Behind him is a canopy of lingzhi smoke and 7 boddhisatvas seated in the heavens. The reverse of the carving has a small iron plaque with Kiri leaf mon of the Ashikaga clan, waves, and a calligraphy brush.

Early Edo Period (1603 -... Click for details

A beautiful stand mounted Japanese architectural (corbal) carving of ocean waves. One of this detail and design would have been built into the architecture of a temple. The carving is highly stylized with large openwork areas. The Keyaki (zelkova) woodgrain is visible on the reverse of the carving. Mounted on black iron plates.

Mid Edo Period (1603 - 1868)

Dimensions: 32" L x 3 1/2" D x 17 1/4" H, 13" H carving only

Antique Japanese album with 12 pages of paintings depicting one large scene of rural life. A woman with a child carries lunch to workers in rice paddies. A man and ox plow a field of grain. Two men chat as they peddle an irrigation apparatus while a child looks on. At a mill, men sift and grind grain. Many other charming vignettes, including a man with a monkey. Painted in mineral pigments and sumi ink on paper with gold leaf and square flecks. Bound in silk with dragons. Signed on the... Click for details

Very unusual Japanese silk and gold thread hand-embroidered triptych of the Buddhist deity Kannon, the bodhisattva of compassion, in eight armed form seated in meditation upon an open lotus. In her eight arms she holds a staff, a trident, a bow and arrows, a Dharma wheel, and a wish granting jewel held out in front of her body. To the left and right of the central deity are large embroidered Sanskrit characters for meditative purpose. Professionally framed with reverse side of each textile... Click for details

Very unusual largeJapanese rope embroidery on silk, the image is a pair of phoenixes, male and female, with the moon waxing and waning (full and crest). This is a privileged image made specially for the court. The pagoda shrine is central to the image centered around the imperial Tokugawa crest symbolizing the divine rule from heaven.

Meiji period (1868-1912)

Dimensions: 40" W x 62 1/4" H (entire frame), 36 1/2" W x 58 1/2" H (embroidery without frame)

Antique Japanese kesa, Buddhist monk's traditional outer garment. Made from rich fragments of silk donated by wealthy devotees, kesa are traditionally made of square and rectangular swatches of material symbolizing the Buddha's patchwork garments. In contrast with this idea is the material itself, made of fine woven silks. The textile that makes up this kesa is woven with a multi color design of flowers with squares of a different silk woven with swirling clouds.

Edo... Click for details

The Hannya (般若) mask in Noh theater represents a jealous female demon. She possesses two sharp bull-like horns, metallic gold eyes, and a leering mouth with jagged teeth. The mask is all hand-carved with open eyes, nostrils, and mouth so the Noh performer can see, breathe, and speak. There are also two pierced holes at the temples to be secured against the head with cord. The Hannya is lacquered in a ruddy flesh tone, with black hair and blackened teeth, red and gilt lacquer eyes, red lips,... Click for details