Pair of finely detailed full size silver Japanese temple candlesticks. Embossed with wild flowers and scrolling vines. Blooming flowers are seen from the base, up the stem to the top. Gorgeous original patina consistent with age. Overall very good condition.

Edo Period C. Early 1800's

Dimensions: 9" wide X 25" high

A reversible leather firefighter's hanten 半纏 (heavier weight coat made popular in the 18th century). At this time in Japan, fireman were vollenters and carried other professions. In this case, The inside logo represents that the wearer would have been a high ranking carpenter for roof making.

Features tsutsugaki 筒描 (resist dying process) using the smoke of pine needles to produce the light patterns, and ink to dye the black side. The black sleeves appear to have been... Click for details

A pair of small Japanese shrine candlesticks. Each would received a long standing candle inserted onto each small spike. Swirring vines and flowers depicted on both half round base and round lipped top. Unusual small size.

Great accent piece for the contemporary home.

Meiji Period C. 19th Century Dimensions: 4" X 4" X 11 1/2" High

A unique antiqueJapanese suiban inlaid with natural mother of pearl red lacquer over wood. Suiban are traditionally shallow oval or rectangular dishes used to display viewing stones (suiseki). Suiseki. Japanese viewing stones. 水石 - Suiseki is the Japanese art of stone appreciation, which values aspects like stability, longevity and immortality. Formed through time by wind and water, stones can take several sizes and shapes, reminding us of natural objects.

Beautiful... Click for details

Antique Edo Period Japanese bronze standing red crown crane incensor with swirling dragon and tengu (mythical animal that lives in lakes) at its base. Original hand worn bronze patina consistent with age. The incense smoke would rise up an out from the openings in within the feathers of the crane on its back.
The red-crowned crane is a large East Asian crane among the rarest cranes in the world. In some parts of its range, it is known as a symbol of luck, longevity, and... Click for details

Antique Japanese natural burl wood low stand or pedestal. Stunning original warm lacquer lighter tones with darker touches of brown and black. Shapely form as the burl sways right then drifts upward and to the left as it flattens out onto a perfect surface.
Would make for an excellent side table for a contemporary home.

Edo Period C. 19th Century

18" x 13" x 22 1/2" High

An expressive frightful yet humorous yamaneko cat (tiger) perched on a natural jagged boulder. Hand carved of boxwood with eye detailed in bone. Very well carved with fine details. An Okimono may be a small Japanese carving, similar to, but larger than netsuke. Unlike netsuke, which had a specific purpose, Okimono were purely decorative and were displayed in the tokonoma.
Original hand worn finish in excellent condition.

Signed: Gyokuzan

Meiji Period (1868 -... Click for details

Semi round low flat fruit basket made of split woven bamboo intertwined wisteria branch. Warm red and dark tones, over all in very good condition. Can be used as a beautiful display for fruit or other items. Unusual shape with finely wooden lip with fine bamboo strips. Undeside reveals geometric pattern with a center diamond. Unsigned.

Late Meiji Period (1868 - 1912)

22" x 19" x 6" High

A mid century artist signed Ikebana basket for flower arranging. Made of delicate fine split bamboo, thin bamboo and Akebi vine. The three dimensional shape resembles a flared skirt when viewed in front and a boat keel when viewed from the side. There is a subtle diamond shape design the artist created with the different shade of split bamboo. It is a beautiful whimsical design of space and function. Artist signed: Togyoku.

Mid Century (1950-1960)

Dimensions: 19" Wide x 8" High x... Click for details

Tokoname jars were made by piling coils of clay, smoothing the interior and exterior surfaces, and allowing the clay to dry before adding another section. The wide rim and mouth were then formed on a potter’s wheel and added to the top of the jar. The small base allowed the vessel to stand safely on a narrow step on the steep slope of a rising kiln floor; such kilns were built into the side of a hill and used wood for firing. The natural ash glazes took about a week to ten days to form and... Click for details