Antique Japanese bronze suiban with raised designs of dragons on the front and back. Swirling mist motifs decorate the sides of the suiban and continue on the four feet it stands on. A key motif runs along the edge of the rectangular container. Four character mark on the bottom. Suiban are intended for displaying flowers (with a kenzan) or for displaying suiseki scholar stones for viewing and contemplation. Some repair to the feet.

Age: Meiji Period (1868-1912)

Dimensions:... Click for details

A wonderful original Japanese six panel byobu screen. Hand painted with natural mineral colors on gofun paper. Unusual low height for the full six panel length. Finely painted pheasant sitting central to the painting. A family of swallows swooping and dancing around in a playful fashion. Natural full wisteria branch rises up to create a perch for the pheasant.

Fun fact, pheasants are the national bird of Japan. In Japan the pheasant is a divine messenger for Amaterasu, the great... Click for details

An antique Japanese hand carved wood Ranma (transom) framed in Hinoki (Cypress) and hand carved in deep relief of Akita Sugi (Northern Cryptomeria) woods. Featuring a complex multi level temple and grounds amidst a a beautiful pine tree forest with mountains and clouds in the foreground and background. Continuous elaborate design on the reverse side of the transom.

Age: Meiji/Taisho Era (1910-1920)

Dimensions: 72" Wide by 15 3/4" High by 2 1/2" Deep

Antique Japanese wide lotus leaf. Made to be part of a Buddhist altar arrangement. The lotus represents enlightenment blooming from out of the mud. Carved of wood and lacquered gold. Fitted with a custom metal stand.

Age: Meiji Period (1868-1912)

Dimensions: 20 3/4" high (including stand)

Antique Japanese gracefully curling tall lotus leaf. Made to be part of a Buddhist altar arrangement. The lotus represents enlightenment blooming from out of the mud. Carved of wood and lacquered gold. Fitted with a custom metal stand.

Age: Meiji Period (1868-1912)

Dimensions: 27 1/2" high (including stand)

Antique Japanese tall and graceful lotus blossom. Made to be part of a Buddhist altar arrangement. The lotus represents enlightenment blooming from out of the mud. Carved of wood and lacquered gold. Lotus petals are carved separately and joined. Fitted with a custom metal stand.

Age: Meiji Period (1868-1912)

Dimensions: 27" high (including stand)

Antique Japanese bajo jingasa, lacquered military hat for a horseman. Decorated with textured brown lacquer and with the Kyogoku family mon in gold. The underside is lacquered red with a black circle in the center and four hooks for chords.

The samurai class in feudal Japan, as well as their retainers and footsoldiers (ashigaru ) used several types of jingasa made from iron, copper, wood, paper, bamboo, or leather and usually treated with lacquer for weather proofing and... Click for details

Japanese conical ichimonji gasa (military jingasa) with a gradually pointing top and unusual, wavy brim mimicking cloth material. Lacquered a deep brownish black with areas of red lacquer showing through in a negoro lacquer effect. The raised red lacquer mon is that of either the Katakura or the Matsukura Clan. The underside is lacquered in the same manner as the top except for a round red lacquer circle in the center. On one side of the red circle are 4 rings for attaching... Click for details

A rare pair of 18th century hand carved Edo period solid keyaki (zelkova) peonies that would have been mounted on temple doors. Finely carved three dimensionally with great detail, condition is very good.
Custom fabricated stands with antique bronze finish float each carving securely and ready to display.

Age Edo Period 18th Century

12" wide X 12 1/2" high (each) X 16 1/2" high w/stand X 5" wide

Japanese circular jingasa with a gradual pointed top and curved rim in the front. Lacquered black with a crest in gold. The underside is lacquered red.

Jingasa ("war hat", a type of kasa commonly worn by samurai and ashigaru.
In the Edo period, the politics of display of sankin kôtai and other ceremonial occasions led to jingasa becoming more decorative in appearance, as was also the case for many other items of samurai arms, armor, and clothing. Still, these performed... Click for details