Wonderful medium-sized crater bowl, thinly potted of black clay and with glossy black glaze pitted with craters for volcanic moon-like effect, Signed Lovera; James Lovera (American, 1920-2015) modernist potter. Teacher at San Jose State University. James Lovera exhibited at the Crocker Museum in Sacramento in 2006: "Craters of Fire: Ceramics by James Lovera". With original inventory tag.

Age: c. 1990s.

Size: 8.5" Diameter x 5.25" Height

Japanese Amida Buddha statue, gold gilt over wood with inlaid crystal third eye. Seated on a lotus throne atop a hexagonal base, carved with smoke and flowers. The left hand mudra showing Varada: a gesture for granting and fulfilling all wishing as well as bestowing mercy and charity. The raised right hand is cradling a golden ball representing enlightenment and everlasting knowledge.
Overall condition is very good, consistent with age.

Early 19th century Edo period... Click for details

Antique Japanese lacquer stand with intricate mother-of-pearl inlay and painted details. The top depicts a dragon floating in swirling clouds. Each cloud is a fine dusting of different colors of shell inlay. The base is decorated with a tiger near a rocky waterfall. The stand has two arching legs which end in shoulders and apron with reserves depicting kirin, a phoenix and chimera. Every space is inlaid with pattern work all on a black lacquer ground.

Meiji Period... Click for details

Antique Japanese meadate in the form of a hornet, hand forged iron with gilt brass plate. Mounted on a stand.

Edo Period (1603-1868)

Dimensions: Total including stand 7" high (meadate only 4 1/2" high)

Japanese copper 10-pronged antler shaped meadate from a kabuto (samurai helmet). On custom stand.

Heisei Period

Dimensions: 9" total height (6 1/4" high meadate only)

Japanese small bronze censer for a Buddhist shrine, made in a squat round form with inlaid gold metal shapes in a random pattern. Cast mark on the bottom. Nice patina.

Meiji Period (1868-1912)

Dimensions: 2" high x 2 7/8" wide diameter

Pair of Architectural corbels of mythological elephant baku’s are commonly placed under the eaves of Japanese Buddhist temple and Shinto Shrines to wore off evil spirits. The baku devour dreams and nightmares and protector against evil. The baku cannot be summoned without caution, however as ancient legions say that if the baku is not satisfied after consuming the nightmares, he may devour ones hopes and dreams. The open mouth is to scare off demons and the closed mouth baku shelters and keeps... Click for details

Japanese pair of Buddhist attendant figures. Each figure is carved of wood and painted with mineral pigments. Fine details are painted in gold gilt. They are draped in Chinese robes with long flowing sleeves, each wearing an ornate metal headdress. One attendant holds an offering, the other, a flower scepter made of wire with glass and wooden beads. Their inlaid eyes are made of glass.

Edo Period (1603-1868)

Dimensions: 10 1/2" - 11" high x 4 7/8" wide x 3 3/4" deep

Japanese lithograph print by Toko Shinoda (born 1913) entitled "Arrived Wind". Signed in pencil. Undated. Edition number 27 of 35. Frame: 33" high x 27" wide Inside archival mat: 23 1/2" high x 17 1/2" wide

Japanese lithograph print and sumi ink brush strokes by Toko Shinoda (born 1913) entitled "Snow". From her series of prints also entitled "Snow". Undated. Print number 4 of 45.

Frame: 28 1/2" high x 22 1/2" wide

Inside archival mat: 13 1/2" high x 9 1/2" wide