Antique Japanese lacquer suzuribako (calligraphy box) decorated with young pine shoots and a fruiting tachibana (wild orange) tree near a small stream. Gold maki-e lacquer on a dense gold nishiji ground. The underside of the lid has a continuing scene of the stream winding through rocks with sprouting bamboo in gold maki-e lacquer on a spars nishiji on black lacquer ground. The interior of the body of the box is decorated with small sprigs of young pine in gold maki-e lacquer on a ground of... Click for details

Antique Japanese small lacquer tebako (accessory box) decorated with a design of wildflowers that wraps around the sides of the box. Gold maki-e lacquer with fine detail and a mist of gold flecks on a black lacquer ground. The entire interior as well as the underside of the box is covered in a dense gold nishiji.

Meiji Period (1868-1912)

Dimensions: 1 1/4" H x 2" W x 2 3/4" L

Antique Japanese small lacquer tebako (accessory box) with image of a crane standing on the bank of a lake or stream. Looking up at the crane from the swirling water, is an ancient turtle. A pine tree and fruit tree grow on the hillside behind the crane. Fine gold maki-e lacquer with dense gold nishiji on a black lacquer ground. The interior of the box is entirely covered in gold nishiji. The rim of both the bottom and lid of the box is edged in silver.

Meiji Period... Click for details

Antique Japanese large cloisonne vase decorated with a blossoming white hydrangea. Detailed flower petals with pale blue gradated centers and large leaves are rendered with great naturalism and contrast dramatically with a very smooth rose/taupe background. A band just below the mouth of the vase is decorated with a tiny, subtle leaf motif. Silver wire used throughout.

Meiji period (1868-1912)
Dimensions: 14 1/2" high

Antique Japanese small lacquer tebako (accessory box). Rectangular form with rounded edges and decorated with Chrysanthemums on the lid. The whole box is covered inside and out with a dense gold nishiji background. The rim of both the lid and the body of the box are edged in bronze.

Edo Period (18th century)

Dimensions: 2 1/8" high x 3 5/8" long x 3 1/8" wide

Antique Japanese gold lacquer inro with 4 compartments. Decorated with a scene depicting a cottage high in the mountains. On one side, a small stream meanders by a thatched roof building with doors opening to a garden surrounded by a low fence and opened by a tall gate. A large, blossoming plum tree stretches it's branches dramatically over the roof and a mist floats over the top of the scene. The other side of the inro depicts a churning river with ragged outcroppings of rock. In the... Click for details

Japanese inro with 5 compartments decorated all around with a scene of a mountain stream running down hill through rocks and low tree branches. On one side of the inro, the stream falls over rocks and continues on the other side of the inro in a striated current. Various trees including blossoming fruit trees and pines spring from the rocks. Pine saplings emerge from a gold mist in the foreground. Created with a fine raised gold maki-e lacquer technique and inlaid with gold metal flecks. ... Click for details

An antique four case Japanese Inro with lacquer and gold flecked images of pine trees with a bone netsuke of a monkey holding a persimmon and an agate ojime.

Date: early Meiji Period: Circa 1880's

Dimensions: 4" long X 2.5" wide

An antique Japanese lacquer Inro with images of persimmons on a gold flecked background. The Inro has five compartments, a boxwood netsuke carved in the shape of a persimmon and a metal ojime incised with floral and geometric designs. The inside compartments are covered with dense nashiji lacquer (fine gold flecks). Exceptional.

Date: early Meiji (1868-1912)

Dimensions: 3.75" X 2.5" wide

An antique pair of architectural corbels of mythological elephant baku’s are commonly placed under the eaves of Japanese Buddhist temple and Shinto Shrines to ward off evil spirits. The baku devour dreams and nightmares and protector against evil. The baku cannot be summoned without caution, however as ancient legions say that if the baku is not satisfied after consuming the nightmares, he may devour ones hopes and dreams. The open mouth is to scare off demons and the closed mouth baku... Click for details