Japanese indigo cotton fireman's coat, with sashiko stitching and freehand paste resist decoration (tsutsugaki) of a cherry blossom, overlapping rings and striations. The front of the coat has four kanji characters on the lapel, and the inside of the coat is resist dyed with geometric designs and a round central emblem.

Late Edo Period (1603 - 1868)

Dimensions: 47" w x 37" h

Japanese iron tsuba, an important fitting on a samurai's sword to protect their hands from the blade and provide balance. Decorated with relief gold lacquer image of a gourd and opposing catfish. The backside of the tsuba is gold plated, with commemorative inscription "Bill - Christmas, 1972". The plating is signed with 14k and 18k gold marks, and stamped Potter Mellen. With custom base.

Mid Edo Period (1603 - 1868)

Dimensions: 3" x 2 3/4" x 4 3/4" (w/ stand)

Tibetan thangka painting depicting a wonderful seascape with the Shakyamuni Buddha seated in meditation upon a lotus throne in the clouds near the top of the painting. Two robed figures stand on a large open flower leaf holding offerings to the Buddha. Below them is a floating pink structure with banners topped by Wishing Ball finials. A large man is seated in the center, surrounded by his attendants, and he extends a peach out in reverence to the Buddha. There are various other figures... Click for details

A Japanese bronze ritual brazier from the Muromachi period. It has an even tonal verdigris patina throughout the object. The scalloped edge lip is decorated with alternating Ruyi cutouts and continuous curved lines.

The low brazier rests on 3 protruding rounded feet elevating it for the ideal purpose of burning scented woods or providing warmth. The Chinese term for Ruyi means “as you wish.” The curved decorative Lingzi (mushroom scepter) serves in ceremonial Chinese Buddhist... Click for details

Antique Chinese square faceted box made of black lacquered wood with inset rattan panels. The top of the box is decorated with a rural scene of court figures in a garden painted in gold lacquer on a black lacquer ground. The box stands on small feet and cut-out details on the bottom portion of the box are lacquered red. A beautiful overall crackle of the lacquer speaks of the box's age.

18th century

Dimensions: 9 1/2" high x 14" wide x 14" deep.

Chinese hard stone carving of a standing woman with flowing robes. In her hands she is holding a raised cup and a lantern on the end of a ruyi scepter. With wood stand.

Circa 1900's

Dimensions: 2 1/2" w x 7 1/2" h

Japanese pair of round fish plates. The raised details of the fish is painted in blue glaze. Along the edges, an impressed pattern makes up the fish's dorsal and pectoral fins. On the bottom, the maker's mark is a tiny blue floret.

Taisho Period (early 20th century)

Dimensions: 10 3/4" wide (mouth to tail)

Japanese women's small tansu with hardwood drawers, and charming burl front panels. The gilt copper hardware conveys floral motifs of Kiri leaves, flower petals, and fruit. The chest is configured with eight drawers of varied size and a pair of small sliding door panels opening to a roomy compartment. Each drawer has a plush black material lining.

Taisho Period - circa 1920's

Dimensions: 21 1/4" l x 11 3/4" d x 11 3/8" h

Japanese hand-forged iron jizai, used for suspending a tea kettle over a fire pit within the home. Made with a charming iron fish with incised details of scales, face, and separately attached fins.

Edo period (1603-1868)

Dimensions: 8" w x 48" - 53" long

A stunning Chinese porcelain Dayazhai-type jar grisaille painted with yellow ground. The monochromatic imagery of black and grey peonies against a yellow enamel ground scrolls around the body under a band of ruyi heads below a band of key-fret. With descriptive tag on the base "From the Hall of Embodied Harmony". There is also a Museum Porcelain Exhibition tag. The tag has some losses but shows that the Exhibition was in the 1960's - item #238. It appears to be ...ingham, AR... Click for details