A Nihon Matsu tansu with hinoki (cypress) wood drawers. The round lock plates on each drawer feature a bird and bamboo leaf motif. There are 4 large drawers with spacious interiors and on the right lower side is a safe box door with key with two interior drawers.

Date: Meiji c1900

Dimensions: 51" X 45" X 17.5"

A Korean vase 19th century. The pear shape vase with a long neck and fluted rim has a cream color glossy transparent glaze. A small gold leaf repair to the lip done in the Kintsugi style.

Date:circa 1850's

Dimensions: 11.25" X 6.5"

Chinese blue and white porcelain vase, of a tall trumpeted form, with blue underglaze scene of people gathering on the shoreline to gaze upwards at Shoulao soaring on the back of a crane. Shoulao is one of the Three Star Gods of Fortune known as Fu Lu Shou, who represent happiness and prosperity, status and authority and health and longevity. The top and bottom of the vase are incised near the edge with a band of floral scroll motifs.

Dates from 20th century Dimensions: 8" w x... Click for details

A large round Ottoman Empire hammered copper tray with verdigris patina throughout. The Qajar-themed artwork depicts various men, women, and animals. Figures are shown playing music, some on horseback in battle skirmishes or hunting with their swords, bows and arrows, and spears. The figures are shown in a repeating pattern against a floral scroll ground. The tray sits on a folding hardwood stand to be used as a side table.

19th century

Dimensions: 23" w x 1 3/4" h (tray... Click for details

Chinese blue and white porcelain planter, decorated with cobalt blue underglaze designs of scrolling vines and flowers and three round medallions depicting waterside scenes, rock formations in the background and fishermen, huts, and pine trees in the foreground. The inner and outer rim are decorated with a band of floral scrolls and flowers. The foot tapers slightly and is decorated with a band of various auspicious objects.

Dates from the 19th century Dimensions: 9 3/4" w x... Click for details

Nagoro banana leaf tray lacquer over wood. The black lacquer shines through the red to reveal the ribs and veins of the leaf. In the literati tradition, banana leaves were used by scholar recluses as paper to write calligraphy. Later, this motif was incorporated into other forms of art making the image one of the symbols of the literati aesthetics.

Date: Tiasho circa 1920

Dimensions: 16" x 6" X 3/4"

A rare, large architectural Buddhist temple carving of a Dragon (Ryu), with reverse glass painted eye. The high relief carvings show the dragon's body coiled behind clouds of smoke and waves. Its serpentine body reveals his 3 appendages with classic three claw anatomy. The relief is solid keyaki "zelkova serrata" wood with the original red patina. The dragon which symbolizes the heavenly realm has control of rain, fire, and earth. Dragons are the powerful embodiment of yin and yang and are... Click for details

Tibetan thangka painting in reverence to the bodhisattva Avalokitesvara. When he is shown having four arms, he is called Chaturbhuja Avalokitesvara. This is his most commonly depicted form. Chatur + bhuja are the two Sanskrit words that mean 'four arms.' He holds a white peony flower in one raised hand, and a stand of mala beads in his other. He is surrounded by various other bodhisattvas, including Mahakala, his wrathful form, below. Two human figures appear in a bed of flowers, and each... Click for details

Antique Vietnamese polychromed figure of a standing Buddha, with red, black, and gold gilt lacquer traces. He stands on a lotus pedestal atop a wood platform. With small losses consistent with age.

Circa 1900

Dimensions: 7 1/2" w x 6 3/4" d x 17 3/4" h

Antique Tibetan Buddhist double mandala thangka, with the two central deities being Brahma and his wife Saraswati.

Brahma is a leading god and heavenly king in Buddhism. Lord Brahma rules over the heavenly realm of rebirth called the Brahmaloka– the most sought after realm for afterlife and reincarnation within the Buddhist belief system. He is depicted as having 4 faces and is seated in the center of the top mandala in a lotus position with his arms folded in front, thumbs... Click for details