A simple one line Chinese calligraphy attributing to Chi Xizhao (1793-1866). The calligraphy reads: The pure jade harmonizing with the gold with the pure wind in the forest of treasure. The work is dated to year of the water boar (approximately 1863), mid spring. Chi Xizhao was a noted Qing Period poet. Chi Xizhao was a scholar of the xueshi rank during the Jiaqing period. This scroll originally was one of a pair.

Extremely detailed pair of bronze statues of guardians to the Buddha called Niō or Kongōrikishi. While Buddhism usually promotes pacifism, the Nio guardians are said to have justified the use of physical confrontation to fight back against evil. Nio are typically placed on either side of a temple door. One statue, named Misshaku Kongo or Agyo, has an open mouth to represent the first sound in the Sanskrit language "a", symbolizing birth and overt violence. The other statue is called... Click for details

Small Japanese vanity tansu with seven drawers and two sliding doors, the front done in a variety of hardwoods, panels in gorgeous dark Jichimu (chickenwing wood) framed in rosewood, another set of sliding doors done in Keyaki wood, with brass handles and a beautiful lacquered black interior. Taisho period (1912-1926) Size: 13.5" height, 13.5" width, 9.5" depth

Antique Japanese rootwood burl kashibachi, or serving dish for sweets. It is hand-carved from a beautiful hardwood, all in one continuous piece, and has very interesting twists and gnarls throughout. Meiji period (1868-1912) Size: 12.72" height, 16.5" width

Antique Japanese raincoat made of hand-woven indigo cotton with sixteen panels, dyed using a technique called ikat, in which bindings are applied to the cotton threads in any desired pattern and dye is applied over them. The bindings resist the dye, leaving behind patterns in the original color of the threads. The raincoat has two sides: One has white stripes and the other has an attractive design of white arrows and crosses. The raincoat has a cloth loop and grommet closure in front and a... Click for details

Chinese blue and white pug face, open mouth molded porcelain on rosewood stand. Beautiful coloring with fine detail on both

Circa Early 19th Century

Dimensions: 3 1/2" High w/stand, 2 3/4" High X 5 1/4" Long X 2" Deep

Chinese antique silk rank badge (civil official 2nd rank) with a golden pheasant standing on a rock, navy blue background, golden stitching along its base, borders and accenting throughout, a fish jumping out at it from the water, and many designs of flowers, and clouds in various vivid shades of blue. Rank badges were to be worn in pairs, one on the front of a robe and one on the back to show ranking and status of the elite in imperial China during the Ming (1368-1644) and Qing (1644-1911)... Click for details

Burmese repousse silver covered vessel. Compressed bulbous form having an intricately hammered ground of interiors featuring pronounced narrative characters set between two bands of chased acanthus. Fitted lid mounted with a lotus bud. Circa 19th Century Dimensions: 12 1/2" Wide X 7 1/2" High 25.3 Troy oz

Burmese repousse silver box. Geometric form with intricate hammered landscape grounds featuring pronounced elephants in a realistic setting. Circa 19th Century Dimension: 10" long X 5 1/2" High X 5 3/4" Deep Acid Tested / 25.30 Troy oz

Chinese Celadon plate with Even coloring and glazing overall. Ming Dynasty 16th century. Dimensions: 11 3/4'' Wide X 2" Tall