Japanese iron teapot, or tetsubin, all hand-cast iron in the shape of a Japanese house. The teapot is adorned with leaves and gourds on a thatched roof.

Dates Taisho Period c1920

Dimensions: 8" X 7.5" X 10" (with handle)

Japanese Buddhist scroll painting of Eight Armed Kannon , the bodhisattva of compassion, seated in a lotus position. In her other seven arms she holds a staff, a trident, a bow and arrows, a Dharma wheel, and other attributes with symbolic meaning.

Standing figures are arranged below the seated Kannon, each holding various offerings for the bodhisattva such as rice, sake, dumplings, silk fabrics, and other material objects. Among the figures is the immortal Lucky God Daikoku,... Click for details

Japanese iron tsuba, or hand guard for a samurai's sword, with cast motifs of waves inlaid with gold and silver, the patina indicates age and wear from use.

Edo period (1603-1868)

Dimensions: 2 3/4" x 3"

Japanese iron tsuba, or hand guard for a samurai's sword, with openwork motifs of peonies and scrolling leaves, with silver and gilt inlay pollen, detailed on the reverse, with signature.

Edo period (1603-1868)

Dimensions: 2 3/4" x 3"

Japanese porcelain vase of a tapered cylindrical form, with flatted top, and small fluted mouth. The piece depicts three herons in white against a navy blue enamel ground. The foot is signed by Nishiura Enji with two character signature in cobalt blue. Nishiura's studio was famous for it's 'spraying technique' which was unique at the time.

Meiji period (1868-1912)

Dimensions: 3 1/2" w x 7 1/2" h

An unusual Japanese circular wooden stand with black and red lacquer finish, the edges of the stand are inlaid with shell, standing on slight cabriole tripod feet.

Early 19th century Edo Period

Dimensions: 19" W x 5" H

Japanese tachi-kake or samurai's sword stand, black lacquered and rich intricate shell inlay work, with a reishi mushroom shaped finial.

Late Edo period (1603-1868)

Dimensions: 10 1/4" x 8 1/4" x 25" H

Japanese circular jingasa with a gradual domed top, rough textured to simulate leather. The composition is of bamboo, paper, layers of Urushi lacquer work with green lacquer, the edges decorated with two gilt mon of the Mori Clan. The interior is finished in green textured lacquer with red lacquer accent. Mounted on steel plates for presentation.

The samurai class in feudal Japan, as well as their retainers and footsoldiers (ashigaru), used several types of jingasa made from iron,... Click for details

Circular jingasa with a gradual domed top. The composition is of bamboo, paper, layers of lacquer work with intricate shell inlay. The jingasa is decorated to the edge of three gilt lacquer circular crests (mon) The interior is finished in red with its original cotton gear straps and cushion. Mounted for presentation on steel plates.

The samurai class in feudal Japan, as well as their retainers and footsoldiers (ashigaru), used several types of jingasa made from iron, copper,... Click for details

Antique Japanese bronze sutra container of a pagoda form with very tall finial and calligraphy inscription. The bronze shows beautiful green patina inside and on the foot and the lid shows old corrosion. The burial of sutras in sutra mounds began in 1007 when Fujiwara no Michinaga had a gilt bronze sutra container inscribed upon its burial at the Kinpusen sutra mound in Yoshino. It is apparent that a variety of reasons lay behind the creation of these sutra mounds. Clearly these mounds... Click for details