Japanese woodblock print by Okiie Hashimoto (1899-1993). # 2/60 in its series, titled "Quiet B (Nagasaki)", signed in pencil. Red cartouche in upper righthand corner.

Hashimoto was born off the coast of the Tottori Prefecture of Japan in 1899. He graduated from the College of Art in Tokyo in 1923 and continued his studies under Itaru Tanabe and Shod Hirata. Upon becoming good friends with Unichi Hiratsuka, he began to focus solely on colorful woodblock prints as his medium of... Click for details

Japanese woodblock print of a black cat with piercing blue eyes. Titled "Black Cat", # 24/100 in its series, signed T. Nishida in pencil with red chop.

Tadashige Nishida was born in 1942 on Amami Oshima Island in Japan, where he studied art at Chiba University. He moved to Spain in the 1960s and later to the United States to study as a post-graduate. He is most well-known for his works depicting cats, though he has released works depicting nature scenes of trees and Mt. Fuji.... Click for details

Japanese woodblock print by Okiie Hashimoto (1899-1993). # 2/60 in its series, titled "Quiet A (Nagasaki)", signed in pencil. Red cartouche in upper righthand corner.

Hashimoto was born off the coast of the Tottori Prefecture of Japan in 1899. He graduated from the College of Art in Tokyo in 1923 and continued his studies under Itaru Tanabe and Shod Hirata. Upon becoming good friends with Unichi Hiratsuka, he began to focus solely on colorful woodblock prints as his medium of... Click for details

Japanese abstract colored woodblock print - titled "Round About Midnight no. 5", 4/50 in its series, dated 1977, signed Maruyama Hiroshi (b. 1953-) in pencil.

Dated 1977

Dimensions: 21 1/2" x 31 1/4"

A charming pair of Japanese porcelain satsuma vases. The panels on each vase tell a story of ghosts and demons escaping from a woven basket. One vase shows a scene of court performers in a traditional lion dance, used to repel evil spirits. In another panel is a scene of kneeling courtesans with worrisome expression and a shrine maiden attempting to purify the area. The final panel shows a golden box, with a large clawed oni forcing the lid shut to trap the evil spirits within. Each vase is... Click for details

Unusual Japanese okimono of an ant with lifelike rendering made out of leather hide. Mounted on custom metal base for display.

Dimensions: 16.25" H x 4.5" W x 6" D (on base)

Japanese temple carving depicting a dragon (Ryu) and a tiger (Tora), with background of bamboo forest and blossoming plum branches. The dragon is a sacred creature representing great power, strength, and good luck for people that are worthy. The imagery of the dragon fighting the tiger is symbolic of the opposing forces of yin and yang.

19th Century Edo Period (1603-1868)

Dimensions: 26" H x 16" x 2 1/2"

Japanese bronze vase with a wide, flattened body shape, the tall cylindrical neck rendered with bamboo stalk texture. The handles of the vase are a pair of leaping rabbits over low relief waves. The foot of the vase is imprinted with the artist cartouche.

Meiji Period (1868-1912)

Dimensions: 7 1/2" x 7" x 6"

Japanese two panel byobu screen painting of a fierce rooster watching butterflies floating overhead. Pigment on silk, with black lacquered frame. Attributed to Goun.

Taisho Period (1912-1925)

Dimensions: 56" x 64"

A hirado ware porcelain figure of the mythical creature baku, the dream eater. This beast is a chimera with the features of an elephant, an ox, a rhinoceros and a tiger. The expert artist hand-carved every detail of the figure with fine lines, the flames and spines along its back carved in high relief. The glaring eyes are left bare with black pupils while the rest of its body is glazed white.

A similar Baku is in the Lawrence Collection, Published in:
"Hirado: Prince of... Click for details