"Diary March 5th '79" is a photographic silk screen print of a child holding a blanket in one hand with her other hand in a sling on a light ground of traditional woodblock technique. This is one of a series of "Diary entry" prints the artist is most famous for in which he depicts photographed scene from daily life. Born in 1940, Tetsuya Noda is considered to be Japan's most important living print artist. He is a professor emeritus at Tokyo University of the Arts.

Dimensions:... Click for details

Japanese pair of bronze chicken and rooster, finely cast with detailed bodies. The male rooster is posed with head bent down to peck at the ground while the female hen is posed with head faced forward.

Meiji period (1868-1912)

Dimensions: 6 1/4" x 2 1/4" x 4 1/2"

Japanese antique Shibayama inlaid horn vase, decorated with lotuses in a pond with flying cranes and song birds in shell inlay and gold maki-e lacquer. Inscribed with three characters and mounted on a wooden stand decorated w maki-e lacquer and carved design of scrolling vines.

Meiji Period (1868-1912)

Dimensions: 8 5/8" high

Large Original Japanese framed print by Toko Shinoda (born 1913), entitled "Reminiscence". Color lithograph with sumi-e ink brushwork in black, light blue and gold ink. Signed in pencil and numbered "ED 30AP 7/10". Floated in frame under UV acrylic.

36 1/2" high x 46 3/4" wide x 2" deep framed. Artwork: 28 3/4" high x 39 1/2" wide

Japanese black lacquered wood stand, with shell inlay courtyard scene of scholars practicing calligraphy on a scroll, bamboo forest and other floral motifs, a butterfly, and a central figure holding an auspicious two character sign. The side panels have openwork carvings and scrolling apron. The feet all connect to a squared stretcher base.

Dimensions: 24" x 15" x 7 3/4" H

Antique Japanese globular bronze vase. Very simple with 3 raised koi fish swimming together and cresting the surface of the vase as if it were water. The raised details of their eyes are highlighted with gold inlay. Signed Shihou and dated July 18, 1926.

Taisho Period

Dimensions: 9 1/2" high x 12" wide diameter

A Japanese Mokugyo wooden temple bell, carved from kusunoki (camphor) wood in the form of a lifelike human skull. Used to accompany chants (sutras) in Taoist and Buddhist ceremonies. The base of the skull is signed "Bononshi", with matching tomobako.

Dimensions: 5 1/2" x 4 1/4" x 4 1/2" H

Japanese inro with a large standing bull, frontally positioned with head lowered and looking ahead at the viewer. From the ring in his nose is a rope leading off to the side. The reverse image is a scene, entirely in gold lacquer, of rolling hills and pine saplings in the foreground. The inro opens to reveal a compartment lacquered red on the inside with a small removable inset tray.

Meiji Period (1868-1912)

Dimensions: 2 3/8" high x 3" wide

Wonderful medium-sized crater bowl, thinly potted of black clay and with glossy black glaze pitted with craters for volcanic moon-like effect, Signed Lovera; James Lovera (American, 1920-2015) modernist potter. Teacher at San Jose State University. James Lovera exhibited at the Crocker Museum in Sacramento in 2006: "Craters of Fire: Ceramics by James Lovera". With original inventory tag.

Age: c. 1990s.

Size: 8.5" Diameter x 5.25" Height

Japanese Amida Buddha statue, gold gilt over wood with inlaid crystal third eye. Seated on a lotus throne atop a hexagonal base, carved with smoke and flowers. The left hand mudra showing Varada: a gesture for granting and fulfilling all wishing as well as bestowing mercy and charity. The raised right hand is cradling a golden ball representing enlightenment and everlasting knowledge.
Overall condition is very good, consistent with age.

Early 19th century Edo period... Click for details