An antique Japanese Tansu chest called Kodansu made entirely of Kiri (Paulownia) wood. All original hand forged iron hardware including the Warabite handles. 6 Drawers of varying sizes. Perfect side chest for organizing and storage needs.

Age: Meiji Era: 1880-1890

Dimensions: 20 1/4" Wide by 22 3/8" High by 13 1/2" Deep

An antique Japanese Tansu chest in 2 sections (Kasane) made entirely of Kiri (Paulownia) wood. All original hand forged iron hardware with Gumbai handles and the Paulownia leaf family crest on the four main lock plates. Four main drawers with 2 small drawers hidden behind the security door. Secret hiding place behind the upper small drawer.

Age: Early Meiji (1870-1880)

Dimensions: 38 3/4" Wide by 40 3/4" High by 17" Deep

Antique Japanese woodblock print by Utagawa Hiroshige titled: Oki, Takuhi no Yashiro from the series: Famous Places in the Sixty-odd Provinces of Japan. The large bow of a boat on rolling waves. Small figures on the deck. A wonderful example of Hiroshige's influential compositional style.

Date: 1854

Dimensions: 13 3/8" high x 8 3/4" wide

Antique Japanese woodblock print in triptych by the artist Utagawa Kuniyoshi (1798-1861) titled Igagoe Enemy Raid or Igagoe Vendetta. The scene depicts a historical skirmish that took place in 1634 which involved many specific and notable persons ranging from members of the lower ranking samurai class to daimyo to The Tokugawa Central Government.
"On the seventh day of the eleventh month of 1634", Watanabe Kazuma, Araki Mataemon, and two other men waited for Kawai Matagoro at the Kagiya... Click for details

Japanese antique bronze vase with two monkeys. The body of the vase is gourd shaped and the monkeys chase each other around it's middle. Each monkey grabs the other one's foot, creating a continuous chain. Playful expressions and great details.

Age: Meiji Period (1868-1912)

Dimensions: 8 3/4" high x 5 1/2" wide

Antique Japanese hand-colored photograph of two beautiful young ladies in a garden. One uses a bamboo ladle to scoop water from a fountain. The other stands on the path behind her. Tall bamboo fences and manicured pants enclose the scene.

Meiji period (c. 1870)

Dimensions: Frame: 25 3/4" high x 19 1/2" wide. Image: approx. 10" high x 8" wide

Antique Japanese woodblock print of a Kabuki actor with an ornately lacquered cart, scene from play. Signed Gototei Kunisada ga. From 1811-1844 Utagawa Kunisada I (Toyokuni III) used the name Gototei Kunisada.

Kunisada was born to a family that owned a ferry boat service allowing him the time and money to devote to art. At an early age, he impressed the great master, Toyokuni I of the Utagawa school. He became his apprentice, officially adopting the name Kunisada around 1807. It... Click for details

Japanese antique woodblock print by Utagawa Kunisada I (Toyokuni III) (1786–1864) titled: Night Rain at Hirefuri Peak (Hirefuri-mine yoru no ame): Actors Iwai Kumesaburô III (?) as Ôtomo's Daughter (Sokujo) Wakana-hime (R) and Nakamura Shikan IV as Toriyama Shûsaku Terutada (L), from the series Eight Views of Shiranui (Shiranui hakkei no uchi).

Kunisada was born to a family that owned a ferry boat service allowing him the time and money to devote to art. At an early age, he... Click for details

A rare large early Edo period Japanese Temple Ranma. Carved from a single cut of depicting three legendary spirits in Japanese folklore. Bukan and his tiger is depicted coming forth from the trees and landscape. Bukan was a legendary Chan monk who lived in China during the Tang dynasty (618-907). Known for his eccentric behaviors, he was accompanied by a tiger.
The immortals Gama Sennin and Tekkai Sennin are also depicted amoungst the flourishing landscape. The two were... Click for details

Antique Japanese diptych woodblock print by the artist Utagawa Kunisada (1786-1865) also known as Toyokuni III. The scene is of two beautiful ladies entertaining two men, most likely either samurai or actors in an elegant urban setting overlooking the harbor.

Kunisada was born to a family that owned a ferry boat service allowing him the time and money to devote to art. At an early age, he impressed the great master, Toyokuni I of the Utagawa school. He became his apprentice,... Click for details