Antique Japanese single section isho tansu (clothing chest). Kiri (paulownia) wood front with sugi (cryptomeria) wood frame and drawer interiors. Three full-width drawers, the middle drawer is 3/4 width with two small drawers to it's right hand side. Blackened iron hardware includes moko shaped drawer pulls and round lock plates.

Meiji Period (1868-1912)

Dimensions: 41 3/4" high x 32 3/4' wide x 16 1/4" deep.

An antique Vietnamese jar with covered lid with blue under glaze. The lustrous ivory glaze covers the whimsical 3 blue floral images. The bowl's interior center has splotches of blue paint intermingled with a rust colored paint. The rim is unglazed, as is the small footing. Provenance: Prominant private collection from San Diego, CA

Date: Tran Dynasty (1225 - 1400)

Dimensions: 8" diameter X 7"high

Antique Japanese kuruma tansu (wheeled chest), made all solid quartered sawn keyaki (zelkova) hardwood with beautiful and dramatic natural grain. The upper and lower portions of the chest have open compartments which close with sliding panels. Each panel is reinforced with either vertical or horizontal wooden slats. A heavy hand forged iron plate sits in place along with hand forged iron locks and hardware with a key to keep the door panels from sliding. The back and sides have wonderful... Click for details

A rare pair of original Japanese six panel screens depicting the four seasons of Ginza. The panels are painted in the traditional Kano school. Using exceptional technique, the images are hand painted with natural rimpa paint and ink and gold leaf ground on gofun paper. The six panels depict the seasonal landscape of a Ginza garden. Excellent overall condition.

Date: Edo Period (Early 19th Century)

Dimensions:41 1/2” high X 110 1/2” wide (Each screen)

An unusual Japanese six panel screen of Ducks, Egrets, and Pheasants. Painted with rimpa paint on an unique mix of gold and silver leaf gofun paper, which gives the screen an incredible look and balance of cold and warm tones, depending on lighting. The painting composition shows influences of natural history and the importance of empty space.

Date: Meiji Period (early 19th Century)

Dimensions: 67” high X 147 1/2” wide

An antique Japanese six panel screen depicting a quiet pool with birds taking a rest amongst the grasses and flowers. Ink and light colors on paper. Silk boarder. Condition consistent with age.

Date: Taisho Period (early 20th Century, 1912-1926

Dimensions: 65” high X 148” wide

An antique Japanese 4-panel screen painting. Each of the flowers shown has a meaning known as the Language of Flowers, depicting Love, Loyalty and Family. Painted with mineral pigments and raised gofun on gold leafed paper.

Date: Taisho Period

Dimensions: 67 1/2” high X 96” wide

A truly stunning Japanese six panel screen hand painted with raised rimpa paint on gold ground leaf gofun paper. The subject matter is a view of a natural overgrowth of hollyhock, sweat peas, and morning glories cascading and creeping over the bamboo fence.

The Hollyhock flower in Japan represents is fertility and fruitfulness. During the end of its life cycle when the leaves and stem begins to droop, the hollyhock produces a round disk that encompasses many different seeds so... Click for details

A monochrome porcelain Vietnamese bowl from the 14th-16th Century. The clear ivory glaze has an incised design of a flower with 2 lines above it. The exterior of the bowl has a carved lotus pattern that extends to the bowl's small footing. During the 14th century, a second stacking method for firing was introduced using a ring-shape separator. It became the preferred stacking method by the 15th century. Vessels fired using this method have an unglaze ring on the inner base. The stacking process... Click for details

A lustrous antique Vietnamese tea bowl from the 11th-13th Century. The ivory coloring glaze has hints of blue in the central portion. The bowl is incised with 2 little boys surrounded by floral and pomegranate with a ring of dots. Indication that this piece was pressed from a mold. The rim is unglazed, as is the small footing. Yingqing (“shadowy blue”) ware is distinctive for its light buff-to-white, usually translucent body covered with a white (bai) glaze that is tinged with a pale blue... Click for details