A monochrome porcelain Vietnamese bowl from the 14th-16th Century. The clear ivory glaze has an incised design of a flower with 2 lines above it. The exterior of the bowl has a carved lotus pattern that extends to the bowl's small footing. During the 14th century, a second stacking method for firing was introduced using a ring-shape separator. It became the preferred stacking method by the 15th century. Vessels fired using this method have an unglaze ring on the inner base. The stacking process... Click for details

A lustrous antique Vietnamese tea bowl from the 11th-13th Century. The ivory coloring glaze has hints of blue in the central portion. The bowl is incised with 2 little boys surrounded by floral and pomegranate with a ring of dots. Indication that this piece was pressed from a mold. The rim is unglazed, as is the small footing. Yingqing (“shadowy blue”) ware is distinctive for its light buff-to-white, usually translucent body covered with a white (bai) glaze that is tinged with a pale blue... Click for details

A beautiful antique Annamese Vietnamese jar with a clear ivory glaze. On the shoulder are 4 applied rosettes between 2 raised lines. Vertical lines extend from the rosettes to the unglazed base. The jar has a short neck and rolled rim. Some imperfections. Annamese refers to Vietnamese porcelain, since Annam was the name of the southernmost province of China after the Tang dynasty. The name is the Vietnamese form of the Chinese name "the Pacified South". In modern time, Annam was a French... Click for details

Japanese gold lacquer Inro with five compartments, decorated in low relief landscape scene of temple in the mountain surrounded by pines and connected by a small bridge over a river in gold lacquer. The reverse side shows mountains in the distance and a small seaside village. The inside compartments are covered with dense nashiji lacquer (fine gold flecks). The cord has a metal ojime. Inro (seal basket) are small decorative containers that hang from the waist. They originate at the end of the... Click for details

A rare antique Chinese Longquan, celadon glazed charger dating from the Ming Dynasty 15th Century. Thickly molded with a raised edge to the rim flange and a band of recessed petals tapering inward along the cavetto toward a peony flower roundel impressed to the center of the well. The rich olive green glaze covering all surfaces except a cinnamon-burnt firing ring within the recessed base (glaze abraded). The plate has a raised rim with a surrounding comb design. The center has an incised... Click for details

A unique Ko-sumetsuke tea ceremony plate with an unusual motif of a raging bull. The center of the plate is divided into 5 sections with scrolling vines and chrysanthemums. The central figure is a raging bull in a pine forest with rounded fronds. The perimeter of the dish is ringed with a classic cloud image. Ko-sometsuke (old blue and white) porcelain was produced specifically for the Japanese market during the final decades of the Ming dynasty (1368-1644). The bottom of the plate has a... Click for details

A boxwood carving netsuke in a classic mushroom shape with very fine detailing.
Mushrooms are associated with the natural beauty of the forest. They are considered a good-luck symbol. Finding a mushroom is considered to be very lucky and means good fortune is at hand.
This netsuke has the signature mark of Yamada.

Provenance: The Avery Brundage Collection

Date: 19th C

Dimensions: 2" X 1.5" X 1.5"

An exceptional antique Japanese bowwood carved netsuke - the Yama Inu - a dog resting his paw on his masters scull. Protecting him in even past the point of death. Superstition related to the okuri(yama) inu are extremely old, and are found in all parts of Japan.
The meaning of the dog also speaks about patience, reliability, and obedience. It focuses on protection, guardianship, and service. The dog spirit animal is a noble animal. It's selfless, and never asks for praise or expects... Click for details

Antique Japanese 6-panel byobu screen painting depicting a noble woman's carriage (gosho-guruma) parked under a blossoming cherry tree (sakura). The tassel cords are untied. The yoke rests on a black lacquered stool. The cart is decorated with irises and peonies with raised rimpa paint. The sudari is shut closed with chrysanthemum pattern curtains billowing out. Painted in mineral colors and raised gofun on gold leaf. Provenance: Warren Imports, La Jolla, California.

Edo Period... Click for details

An elegant pair of amber gold flecked Chinese Peking Glass vases. The 8 sided, octagonal vases have a long neck and recessed base.

Date: 19th century

Dimensions: 8" X 4"