Chinese blanc de chine porcelain figure of the bodhisattva of compassion Quan Yin. She is sculpted lounging against an armrest with a lion's face. One of her delicate hands is emerged out from her robes, clutching a sutra scroll. The bodhisattva is easily identified by her large ear lobes and protruding third eye, attributes of an immortal being. Her backside is signed with a chop and a gourd shaped signature.

Dates 1930 Dimensions: 7" w x 4 1/2" d x 9" h

Antique Japanese 2-section isho tansu (chest on chest for clothing) from Yonezawa Area. Drawer fronts are made of kiri (paulownia) wood, frame is made of sugi (cryptomeria) wood. 4 large drawers and 2 small drawers. Iron hardware includes round lockplates with butterfly mon (family crests) of the Taira Clan.

Meiji Period (1868-1912)

Dimensions: 41 1/2" high x 35 1/2" wide x 15 3/4" deep.

A Japanese copper writing box used for paper and writing supplies. The lid is engraved with grape leaves and grape clusters. The border is nail studded. The interior is beige velvet.

Date: Taisho c1920

Dimensions: 11" X 9.25" X 2.75"

Antique Japanese rare plique-a-jour cloisonne vase. This is a very early plique and in perfect condition. Intricate enamel design of a blossoming tree and a blue bird flying through a light blue sky with little clouds. The design is made with fine silver wire and enamel. Plique-a-jour is made when the inside metal armature has been etched away until the enamel is held in place by the wires only. The effect is a beautiful jewel-like translucency. The rim and bottom of the vase are also... Click for details

A Nihon Matsu tansu with hinoki (cypress) wood drawers. The round lock plates on each drawer feature a bird and bamboo leaf motif. There are 4 large drawers with spacious interiors and on the right lower side is a safe box door with key with two interior drawers.

Date: Meiji c1900

Dimensions: 51" X 45" X 17.5"

A Korean vase 19th century. The pear shape vase with a long neck and fluted rim has a cream color glossy transparent glaze. A small gold leaf repair to the lip done in the Kintsugi style.

Date:circa 1850's

Dimensions: 11.25" X 6.5"

Chinese blue and white porcelain vase, of a tall trumpeted form, with blue underglaze scene of people gathering on the shoreline to gaze upwards at Shoulao soaring on the back of a crane. Shoulao is one of the Three Star Gods of Fortune known as Fu Lu Shou, who represent happiness and prosperity, status and authority and health and longevity. The top and bottom of the vase are incised near the edge with a band of floral scroll motifs.

Dates from 20th century Dimensions: 8" w x... Click for details

A large round Ottoman Empire hammered copper tray with verdigris patina throughout. The Qajar-themed artwork depicts various men, women, and animals. Figures are shown playing music, some on horseback in battle skirmishes or hunting with their swords, bows and arrows, and spears. The figures are shown in a repeating pattern against a floral scroll ground. The tray sits on a folding hardwood stand to be used as a side table.

19th century

Dimensions: 23" w x 1 3/4" h (tray... Click for details

Chinese blue and white porcelain planter, decorated with cobalt blue underglaze designs of scrolling vines and flowers and three round medallions depicting waterside scenes, rock formations in the background and fishermen, huts, and pine trees in the foreground. The inner and outer rim are decorated with a band of floral scrolls and flowers. The foot tapers slightly and is decorated with a band of various auspicious objects.

Dates from the 19th century Dimensions: 9 3/4" w x... Click for details

Nagoro banana leaf tray lacquer over wood. The black lacquer shines through the red to reveal the ribs and veins of the leaf. In the literati tradition, banana leaves were used by scholar recluses as paper to write calligraphy. Later, this motif was incorporated into other forms of art making the image one of the symbols of the literati aesthetics.

Date: Tiasho circa 1920

Dimensions: 16" x 6" X 3/4"