Rare Japanese kakiemon ware porcelain jar. Of a tapered melon shape, with circular floral enso motifs of bamboo, blossoming cherry branches, hydrangea, kiri leaves. The Imperial dragon and phoenix paired to represent the emperor and empress. With overglaze green, red, and blue on white bisque ground. The domed lid topped with karakusa (octopus vine) and kiri leaf pattern.

19th century

Dimensions : 7.5" W x 10" H

Mounted on a black lacquered platform with wooden wheels. The horse is carved from Keyaki wood, which is covered in lacquered brown leather. The eyes are reverse painted glass. It has ears of leather, with real horse hair tail and mane. The horse is outfitted with iron bits and silk harness. The kura saddle is lacquered in red, with a leather cushion seat and silk straps. Cords are attached to the abumi stirrups and aori mats. The bagu tassel fringes and cords tuck under the tail. The horse... Click for details

Rimpa paint on Hinoki wood carving of Daruma. With polychrome hooded robe, decorated in tessellating pattern of gilt dragon mon and scrolling clouds on red ground. His face is painted in a fleshy tone, with painted mustache, beard, and exposed chest hairs. The iconic eyes are reverse painted glass. He stands on a blue ground painted cloud platform.

Late Edo Period (1603-1868)

Dimensions: 15 3/8" x 10 3/4" x 29" H

A boxwood sculpture of the elephant deity Shoten embracing the female Kangiten. In Esoteric Buddhism, they signify matrimonial peace and bearing of offspring. Shoten is derived from Ganesha and is regarded as a wild one. Kangiten is an incarnation of the Eleven Headed Kannon. She appeases and converts him to Buddhism. Shoten and Kangiten are usually kept in a closed shrine as "secret sculptures" or Hibutsu (because of the sexual allusion).

Edo Period (1603-1868)

2.5" x 2"... Click for details

Japanese Woodblock print from artist Torii Kotondo (1900-1976). Print displays beautiful japanese woman combing her hair. Wearing a grey silk kimono with pink and darkened green floral details.The woman has lovely blush colored lips with shining raven hair. Print contrasted with blue toned graduated back ground. From the bijinga "12 Beauty" series. Contains signature and seals. Shown close up with detail images.

Circa 1929

Dimensions: 19" H x 13" W ... Click for details

Japanese 6-Panel byobu folding screen, with painting of a flowering wheat field under the full moon. The screen's paper hinges are done in gold gofun paper. Excellent condition, very presentable well suited for the times. The screen bears elements related to the Shijo School, hand-signed signature, with two red chops, attributed to Shiokawa Bunrin (1808-1877).

Taisho Period (Early 20th Century)

Dimensions: 150" L x 68" H

Full 6 panel Japanese screen painting of a sweeping landscape with mountains, low hills and a lake with Mt Fuji rising in the background. Around the edges of the lake are clustered tiny houses. Painted in light mineral colors and ink on paper with gold flecks.

Taisho Period (early 20th century)

Dimensions: 68 1/2" high x 142 1/2" long

Antique Japanese pair of abumi (samurai stirrups for horse riding). Made of iron and lacquered black with red lacquer foot. Each abumi is decorated with designs of kiri blossoms in gold lacquer. The buckle of each stirrup has an intricate pierced design and mon in gold lacquer. (Mounted on matching stands made of metal with wooden bases.)

Edo Period (early 1800's)

Dimensions: 16 3/4" high (10 3/4" high without stand) x 12" long x 5 1/2" wide.

Antique Japanese ikebana basket, for display of flower arrangements. The piece is all hand-woven with bamboo with a wide rounded mouth, and squared base. The handle is made with braided thin sections of bamboo, secured at the sides with knots. The basket interior holds a striped bamboo vase.

Dimensions: 8" x 17.5" H

Antique Japanese Kanban soroban (abacus). Used by merchants, this large sized abacus has eyelets for hanging. It has 21 rows of wooden beads with 5 beads in each column (105 beads total). The beads are fitted onto wooden dowels. Behind each dowel is a boar's hair bristle which holds each bead in position when it's pushed upward even while the soroban is hanging sideways.

Showa Period (early-mid 20th century)

Dimensions: 43" wide x 12" high x 2 1/4 deep.