Tall standing Buddha carved of wood and worn from the elements. He stands in Mahakaruna Mudra, with his right arm extending from his hip and his left hand covering his heart in the gesture that symbolizes great compassion. His face is kind with a slight smile and he radiates a peaceful acceptance. Traces of black pigment. With custom iron stand.

16th/17th century

Dimensions: 59" high (71" high including base)

Large standing gilded wooden Buddha. Dressed in full robes and with his down turned hands at this sides demonstrating the Calling in the Rain mudra, a gesture to bring the rain to nourish the rice fields. Tall pointed ushnisha and extended earlobes frame a face with down cast inlaid eyes and compassionate expression. From Luang Prabang, Laos. On custom metal stand.

early 18th century

81" high (93" high with stand)

Vitex parviflora is a species of plant in the Verbenaceae family, known as smallflower chastetree, or Molave tree. It is found in Indonesia, Malaysia, and the Philippines. The Molave has a natural golden tone that is indicative of the tree.

Dimensions: 17" x 14" x 36" H

An elaborate and intricate Burmese shrine or altar. The shrine proper is encased in clear glass and sets upon a large enclosed cabinet, most likely for storing devotional items. High relief, gilt dry lacquer has been molded in scrolling floral and foliated patterns. Glass "gems" have been further inset into the design for even more opulent style. A pair of emerald green glass panels have been inset on either side of the mirrored central door. The cornice features an armorial crest of a crown and... Click for details

A Nepalese hand-carved wooden phurba, a Buddhist shamanic dagger used as a religious implement. It has four faces carved at the top with a bird carved into its blade. The wood has a smoothed patina and natural wear from ritualistic use.

!8th /19th century

Dimensions: 13" L x 2" W

Burmese lacquered harp, or Saung, the body carved with gilt floral motifs and inlaid glass. The tip of the curved neck ends in a stylized gilt leaf with inlaid glass. The 14-stringed instrument sits displayed on a carved wood stand with temple guardians and lotuses.

Dimensions: 32" L x 5" W x 28" H (no stand) 32" L x 12" W x 33" H (on stand)

A Sino-Tibetan gilt bronze statue of Maitreya, regarded by this world as a future Buddha in succession after the current Sakyamuni Buddha. Tradition teaches that Maitreya is a Bodhisattva who will one day appear on earth to achieve enlightenment and teach the pure dharma. The Bodhisattva is seated on a double-lotus pedestal to represent purity untouched by Samsara, the copper base impressed with a four point vajra to represent the four poisons of the earthly realm.

Late 18th Century... Click for details

The three-sided style of the phurba comes from an ancient tool used to pin down sacrifices. The phurba has 3 segments to represent its power to transform negative energies. These energies are known as the "three poisons" and are attachment, ignorance, and aversion. The 3 sides of the phurba also represent the 3 spirit worlds and the phurba itself unites those worlds. The handle of the phurba represents "wisdom" while the blade represents "methods".

The phurba symbolizes stability and... Click for details

A framed pair of Southeast Asian palm leaf manuscripts, each side covered in gold leaf, with ornate filigree in red, and scenes of dancing people and beasts. With lines of text written in black lacquer pigment. These manuscripts have two holes each to be strung and bound together as a book. Professionally displayed suspended in glass and framed.

19th Century

Dimensions: 21.25" L x 23" H (entire frame) 22.5" L x 5" H (each manuscript)

Antique Thai/Burmese Sanskrit book fragments, called a "parabaik", which were once majorly used to document societal information through text and drawings. Made from thick sheets of paper, either blackened for text or whitened for colored drawings, which were then glued and folded together. This book fragment has a central black panel, with religious Sanskrit text in gilt, and gilt pigment figures kneeling in prayer on either side.

Early Rattanakosin period (1782-present)... Click for details