Antique Japanese extra large bronze vase. Dramatic baluster form with foliate rim, fluted neck and chimera handles. Archaic motifs around the neck and shoulders. The body of the vase is decorated with highly raised scenes of birds including songbirds and a peacock. The flared foot of the vase has a dragon and crashing waves.

Age: Meiji Period (1868-1912)

Dimensions: 32 3/4" high x 13" wide

Antique Japanese bronze Buddhist temple lantern. The finial is a flaming jewel and the corners of the roof are hung with bells. A dragon is coiled around the lower portion of the lantern stand. Many areas are decorated with colorful cloisonné clouds, flowers and cranes. Electrified.

Age: Meiji Period (1868-1912)

Dimensions: 25 1/2" high x 13" wide

Antique Japanese bronze vase with Chinese archaic motifs. The shape is a traditional ancient Chinese form with flared rim and incised scrolling archaic designs. Fudog handles. Dark patina with areas of deep red. On a carved wooden stand.

Age: Edo Period (1603-1867)

Dimensions: 13 1/8" high x 9 1/2" wide

Antique Japanese copper censer with handles. The pierced copper lid has a repousse design of a dragon in swirling storm clouds with lightening. The body of the censer is hammered copper and has two warabite shaped handles on either side.

Age: Meiji Period (1868-1912)

Dimensions: 7" high x 11" wide (including handles)

Antique Japanese figure of a Buddhist guardian, possibly Fudo Myoo, the Immovable One, the protector of Buddhism and true Buddhists. His stature, his curls, and his intense eyes are all traditional characteristics of Fudo Myoo. His red coloring is reminiscent of a Nio guardian. He stands on a rocky ground with one hand raised as if shielding his eyes. Carved of wood and painted with mineral pigments and gold. His eyes are painted glass.

Edo Period... Click for details

Antique Japanese screen painting (byobu) in two panels with a view over a garden fence. Tall white chrysanthemum flowers blossom near a stand of small blue Matsumoto asters. In the background is a mist of silver leaf. Painted in mineral pigments, raised gofun and silver leaf on paper.

Age: Meiji Period (1868-1912)

Dimensions: 48 1/2" high x 39" wide

An antique Japanese two panel screen painting (byobu) of the battle between the two historical figures Minamoto no Yoshitsune and Benkei.
Minamoto no Yoshitsune (born Ushiwakamaru c.1159) was raised in a monastery near in Kyoto. His incredible skill as a warrior emerged when he was very young. In the scene depicted here, he famously defeats the great warrior-monk, Benkei (Saito Musashibo Benkei). The young Ushiwakamaru easily leaps over the larger warrior. According to legend, ... Click for details

Antique Japanese full six panel painted screen depicting a flock of cranes resting a gold leaf backdrop. Bordered with silk and simple black lacquer wood frame. Touches a red pigment adorns each of the cranes crown, black wing tips feathers fade to white. Some are seen resting as are grooming and enjoying the social rest. Across the six panels are 100 Japanese cranes.

In Japan the crane is viewed as a national treasure. The Japanese refer to the crane as the “bird of... Click for details

Japanese two panel painted byobu (screen) depicting a winters evening with resting pair of mandarin ducks siting amongst the late blooming roses at waters edge. A pair of song birds sitting within the white hydrangeas. A banana tree is shown with Painted on silk with flecked fold paper, silk brocade, and black lacquered frame.

Mandarin ducks are regarded as symbols of love, happiness, and marital fidelity because they are believed to be monogamous.
Birds have long been a... Click for details

Japanese two panel screen depicting a family of horses. Painted with a simple flowing style of sumi ink on paper. Bordered in original aged gold leaf and black lacquered frame.
The horse has always been considered the sacred mount of the kami, Japanese gods. During the Nara period (710-794), the practice of shinme, consisting in offering a horse as a votive offering to a shrine to serve as a divine mount, spread. It was thus customary during a prayer or a wish to present a horse to the... Click for details