Antique Japanese porcelain brush washer and brush rest in the form of Daruma. Derived from BodhiDharma, the monk founder of Zen Buddhism, this is a whimsical and utilitarian object for the scholar's table. After a long meditation, Daruma opens his mouth in a wide yawn, creating the water container portion of the brush washer. He stretches his arms up over his head, his hands together, making a perfect brush rest. Painted wearing his signature red robes, details in black and... Click for details

Antique Japanese painted ceramic figure of seated Daruma. Made from a mold and painted, this is an unusually expressive and detailed depiction of Bodhidharma, the monk founder of Zen Buddhism. He has his traditionally intense expression and, in this case, his robes are decorated with flowers. Daruma is a popular good luck symbol for prosperity and perseverance.

Age: Meiji Period (1868-1912)

Dimensions: 10" high x 7 1/2" wide x 7" deep.

Antique Japanese tall basket for ikebana flower arranging. Woven of narrow split bamboo. The design is slightly open at the bottom, tightens up in the middle and turns into a bold weave towards the mouth of the basket. Comes with a bamboo insert.

Age: Meiji Period 1868-1912

Dimensions: 16" high x 5 1/2" wide

Antique Japanese rectangular bronze letter box. Decorated with a highly raised design of Benten, the Goddess of knowledge, music and eloquence. She is standing on a water dragon who looks up at her admiringly. With a plectrum in one hand, she plays her biwa. Waves churn around Benten and her dragon. The sides of the box are decorated with raised waves and remnants of gilding. The interior of the box is lined with wood.

Age: Meiji Period (1868-1912)

Dimensions: 12 1/4"... Click for details

Antique Japanese ikebana basket for flower arranging. Woven of both wide and narrow split bamboo with a gnarled root wood rim and handle. Tall and narrow with elegant natural form.

Age: Meiji Period (1868-1912)

Dimensions: 21" high x 9 1/2" wide

Antique Japanese bronze temple bell or bonsho, with a handle of dragon heads called a ryuzu, protrusions called chi chi or nyu to improve resonance of sound, the tsuki-za striking panels, and the mei-bun inscription of the bell's history. Inscription dates the bell to Meiwa 4, 1767, during the Edo period. Commissioned by Ninomiya Juemon, village head and rest of villagers. Good luck day of July.

Bonshō (Japanese: 梵鐘, Buddhist bells), also known as tsurigane (釣り鐘, hanging... Click for details

Antique Japanese bronze candlestick with a whimsical scene of a cat chasing a mouse. The cat slinks around the round base while the mouse clings to the candle pricket high above. The animals are especially well modeled and have highly detailed fur. The base of the candlestick is cast with an archaic motif made popular again during the Meiji era. Provenance: William Lipton Collection, New York City

Age: Meiji Period (circa 1890)

Dimensions: 7 1/2" high x 5 1/4" wide... Click for details

Antique Japanese scroll painting of blossoming morning glories on a vine. painted in vibrant mineral colors on silk. Signed by the artist. "Kido Son, 貴堂草衣, (1899-1984) was born in Kyoto. He studied painting at the Kyoto Municipal School of Painting and under Yamamoto Shunkyo (1871-1933). His work was consistently accepted into the Teiten and Bunten National art exhibitions." Comes with original double box.

Age: Taisho Period (1912-1926)

Dimensions: Total: 55 1/2"... Click for details

Antique Japanese calligraphy scroll painting by the Confucian scholar, poet, koto musician, calligrapher and artist, Ryū Kōbi (also called Ryû Sôro) (1714-1792). Sumi ink on paper. With three seals, one being his trademark Dragon seal.

This work is Waka poetry done in traditional 5-7-5-7-7 syllables or a 5-line wake poem. Which traditionally calls up an image of nature that then alludes to an emotion. This poem is one written long ago by the famous Chinese poet Zhang Ji... Click for details

Antique Japanese Scroll of Two Quails amidst chrysanthemum flowers, painted with a delicate painterly touch. Signed and sealed by Tosa Mitsuoki (光起) (1617-1691). In 1654, Mitsuoki won back the position of edokoro-azukari for the family, which enabled him to revive the school.Mitsuoki rejuvenated the traditional Tosa style by introducing elements from Chinese painting. He is particularly noted for his elegant paintings of quail, as for example, the Chrysanthemum and Quail screens which he... Click for details